Aku dalam Kehinaanku!: Menafsir Kehinaan Menurut Julia Kristeva
DOI:
https://doi.org/10.21460/gema.2017.21.281Keywords:
kehinaan, estetika, filsafat, semiotika, simbolisme, abjection, aesthetics, philosophy, semiotics, symbolismAbstract
Abstract
Abjection normally is understood as the gross taste. However, whether such humiliation is also understood when placed in the frame of philosophy? Julia Kristeva states abjection with regard to aesthetics in art and literature through poetry catharsis. That is through abjection, people are invited to immerse themselves further in selfhood. The key phrase is trying held by the author in this article outlines. The author tries to offer an alternative that has been wrapped Kristeva debasement in the language of the interface between semiotics and symbolism.
Abstrak
Kehinaan (abjection) biasa dipahami sebagai rasa jorok. Namun, apakah kehinaan juga dipahami demikian bila diletakkan dalam bingkai filsafat? Julia Kristeva menyatakan kehinaan berkaitan dengan estetika hina dalam seni dan sastra melalui katarsis puisi. Artinya, melalui kehinaan, manusia diajak untuk semakin membenamkan diri dalam kediriannya. Ungkapan kunci ini mencoba dipegang penulis dalam menguraikan artikel ini. Penulis mencoba menawarkan alternatif bahwa kehinaan telah dibalut Kristeva dalam bahasa persinggungan antara semiotika dan simbolisme.
Downloads
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.